Glossary

What is colour grading?

Colour grading is the post-production stage in which a film’s colour, contrast and tone are deliberately shaped, after correction has made the footage technically consistent.

Two distinct jobs are usually collapsed into one word. Colour correction is technical: matching shots so that footage from different cameras, times of day and lighting conditions looks like it belongs together. Colour grading is creative: deciding what the film should feel like, and pushing the image toward it.

For brands, the second job is the one that matters, because grading is where a visual identity is enforced. It is also why recutting a film without the colour pipeline is a real problem rather than an inconvenience — the film stops looking like the film that was approved, and nobody can point at which shot broke.

Correction and grading are different jobs

Colour correction compared with colour grading
Colour correction Colour grading
Purpose Technical consistency Creative intent
Fixes Exposure, white balance, camera mismatch Nothing — it decides
Judged by Whether shots match Whether the film feels right
Skippable Never Only if you do not mind how it looks
Brand relevance Low High — this is where visual identity is enforced
Reversible later Yes Only with the original project files

Why it matters commercially

In practice

DOT’s studio in Uithoorn houses a dedicated colour grading room alongside the edit suite. For Paul Meijering, grading is part of how a defined visual identity has been held consistent across a multi-year partnership — their material is recognisable as theirs before the logo appears.

See what is included at each stage on the services overview.

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